You can even reach a higher level of porn concretion porn in the approach if we talk about theater management, contemporary art management, music production and many and many fields of specialty. From this perspective, where the leading role falls on the creative or artistic sector, it is very difficult for us to establish a paradigm common to the entire profession, to specify what elements unify the bases and practice of KM. If it is necessary to recognize, we are dealing with an approach that, depending on the case, offers a high level of recognition and social prestige. A director of an opera house who appears as a manager of culture gives credit to the profession, just as for example a renowned art gallery owner or the manager of a museum of contemporary art or a foundation. However, we are facing a very and fragmentary approach that has little chance of generating a conceptual block porn common to the entire profession and to itself. In recent times we have witnessed the appearance of what we can call an economic approach, economists according to some. We are undoubtedly facing one of the latest but very powerful barbarian invasions that receives cyclically. The vast majority agree to place the start of this economic science interest in culture in the s. It comes to fruition in the publication of Performing Arts. The Economic Dilemma of Baum and Bowen the start date of this movement. It is undoubtedly the Anglo-Saxon world that is leading
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